In their interdisciplinary research project, Raha Golestani and Konstantin Schönfelder deal with Uecker’s cycle of works Homage to Hafez (2015) and the process of “performative translation” manifested in it.
In his research project Penetrations of Space, Nick Böhnke deals with the works of Günther Uecker that are among his earliest pictorial inventions, the Finger Paintings (1956), in the wake of which his “painterly reliefs” were created (1958).
In her research project, Katrin Nahidi analyzes one of the 14 works Uecker created for the ifa’s touring exhibition, which developed against the background of the 1992 radical right-wing riots in Rostock-Lichtenhagen, Implement (On Words).
In her research project, Cara Venzke examines the spatial disposition of Günther Uecker’s so-called “structure pictures.” The starting points of her analysis are the “encirclements” or “enclosures” found in the artist’s work.
Xiao Xiao’s research project, entitled The Reception of Ganying in Günther Uecker’s Perceptual Approach, is concerned with philosophical concepts originating in the East Asian region.
We are pleased to announce our new project series: beginning in 2024, we will pursue in-depth art projects in public, open-access, and interdisciplinary formats under the name IUG, the Institute […]
In the workshop “Condition for Experience,” conceived with the ZERO foundation in mind and taking place November 10–12, 2023, we will address some of today’s most pressing questions concerning the […]
We are pleased to announce the publication of Xiao Xiao’s doctoral dissertation “Philosophy and the Arts of East Asia in the Work of Günther Uecker.” It has been published by […]