Research Fellowship · 2026

Claudia Kudinova: “On Light” – Light and Perception in the Work of Günther Uecker and Their Mediation in the Museum Context

Erika Kiffl, Aufbau, ZERO-Raum, Kunstmuseum Düsseldorf: "Lichtscheibe" von Günther Uecker, 1992, Silbergelatine auf Baryt, Handabzug, 17,3 x 17,2 cm, Kunstpalast, AFORK, Objektnummer: 0.F.KIF.0031. © Erika Kiffl / Günther Uecker / VG Bild-Kunst, Bonn

In her research project, Claudia Kudinova investigates perspectives from art education and mediation on the work of Günther Uecker. The project is based on a central premise: As carriers of perceptual spaces, the artist’s works inherently transform the museum into a space of experience across different media. Light plays a crucial role in this process. At the threshold between immateriality and materiality, as well as between pictorial space and real space, light—and the shadow it produces—acts as an agent of visual effect within the respective exhibition context. Light is dynamic and multivalent; in this capacity, it also serves as a medium for reflecting on perception as something variable, dependent on movement, duration, attention, and inner disposition, and as something that unfolds between the work, the space, and the viewer. The central question of the research project is: How is this multivalent quality of light experienced in Günther Uecker’s artworks? This question is closely connected to the need to address the perceptual processes that are activated in the encounter with the works themselves—beyond conventional approaches centered on content and meaning. Particular emphasis is placed on the strategy of reduction that is inherent to Günther Uecker’s artistic practice. By focusing on moments of deceleration and introspection, the project examines the extent to which these moments may open up new fields of perceptual insight.

The fellowship supporting the project was awarded in cooperation with the Staatliches Museum Schwerin.

Participants
Claudia Kudinova

Claudia Kudinova is an art and visual historian specializing in the postwar avant-garde and contemporary art. She studied German literature as well as art and visual history in Berlin and visual theory in Basel. Since 2019, she has directed Galerie Volker Diehl, a contemporary art gallery in Berlin. Since 2023, she has been pursuing her PhD at the Chair of History and Theory of Form at the Institute of Art and Visual History at Humboldt-Universität zu Berlin, where her dissertation focuses on the work of Hal Busse.

From early 2023 to early 2026, Kudinova held a doctoral fellowship from the Gerda Henkel Foundation in Düsseldorf. Since April 2024, she has been an associated research member and doctoral researcher of the interdisciplinary Cluster of Excellence “Matters of Activity. Object Space Agency” at Humboldt-Universität zu Berlin. In 2023/24 and again in 2025, she taught as an adjunct lecturer at the university’s Institute of Art and Visual History, offering courses on the ZERO avant-garde and on material in art from the 1950s through the 1970s. In addition to her role as gallery director, Kudinova is also active as a curator, both within and beyond the gallery context.